{"id":12,"date":"2010-10-04T14:50:43","date_gmt":"2010-10-04T13:50:43","guid":{"rendered":"http:\/\/cbrueton.co.uk\/?page_id=12"},"modified":"2026-02-05T17:58:56","modified_gmt":"2026-02-05T16:58:56","slug":"biography","status":"publish","type":"page","link":"https:\/\/cbrueton.co.uk\/?page_id=12","title":{"rendered":"Biography"},"content":{"rendered":"<h2 class=\"protext\">Biography<\/h2>\n<p>Camilla Brueton is an artist who is curious about place. She is interested in the aspirations and emotions embodied by landscape, architecture and infrastructure and the everyday life that unfolds around. These actions are generative and contribute to the ever-changing nature of place.<\/p>\n<p>Brueton makes small, considered works on paper, publications and large, multi-layered constructions and installations that bring together disparate places and viewpoints. Conversations begin; architectural forms collide; skylines overlap; a pile of rubble becomes a mountain viewed through a train window. New forms are created and the fabric of place is spun through her mark making. Composition and the construction of images is also a formal concern within her work; how we frame and are framed by the world around us.<\/p>\n<p>Brueton also writes and is interested in bringing words and images together through publication and performance.<\/p>\n<h4><strong>Selected exhibitions and performances<br \/>\n<\/strong><\/h4>\n<p><strong>2026<\/strong> John Ruskin Prize, Trinity Buoy Wharf, London<br \/>\n<strong>2025<\/strong> SIDE by SIDE, HB drawing at No Format Gallery, Deptford, London<br \/>\n<strong>2023<\/strong> Wahoddiadau-Invitation, UTOPIAS BACH, Galleri, Caernarfon<br \/>\n<strong>2022 <\/strong><em>moss.quarry.plaque, <\/em>with Margaret Woodward, public art installation, City of Hobart&#8217;s Digital Twin, Tasmania<strong><br \/>\n2021<\/strong> <em>Fuse\/ Fracture,<\/em><em>a night of poetry with Patrick Jones<\/em>, Llanrumney Hall, Cardiff <strong><br \/>\n<\/strong><strong>2020-21 <\/strong><em>Trinity Buoy Wharf Drawing Prize 2020,<\/em> Drawing Projects UK, Trowbridge; Cooper Gallery, Dundee; Trinity Buoy Wharf, London<strong><br \/>\n2020 <\/strong><em>Wales Contemporary,<\/em> Waterfront Gallery, Milford Haven<strong><br \/>\n<\/strong><strong>2019 <\/strong><em>Associates Show,<\/em> Arcade Camfa, Cardiff<br \/>\n<strong>2018 <\/strong><em>Distant Places,<\/em> Cloisters, London *<br \/>\n<strong>2018<\/strong> <em>Geometry of Memory<\/em>, Ta-da, Copenhagen, Denmark<br \/>\n<strong>2018<\/strong> <em>Liminality, <\/em>Cass Art, Glasgow<br \/>\n<strong>2017 <\/strong><em>A Many Sided Thing: A Residency of Collaborations,<\/em> Wimbledon Space, London<br \/>\n<strong>2017 <\/strong><em>Two Places at Once,<\/em> Queen Elizabeth Olympic Park, London<br \/>\n<strong>2017 <\/strong><em>Utopia Now!<\/em> Chelsea College of Arts, London<strong><br \/>\n<\/strong><strong>2016 <\/strong><em>A Many Sided Thing,<\/em> A-side B-side, Hackney, London<strong><br \/>\n2016 <\/strong><em>Acts of Searching Closely<\/em>, ASC Gallery, Southwark, London<strong><br \/>\n2016 <\/strong><em>On Our Way to Where?<\/em> hARTslane, New Cross Gate, London<strong><br \/>\n2016 <\/strong><em>Dalston Drawings<\/em>, Netil360, Hackney, London<strong> *<br \/>\n2016 <\/strong><em>monoCHROMA<\/em>, The Crypt, Euston, London<strong><br \/>\n<\/strong><strong>2016 <\/strong><em>Moving On: The Locale<\/em>, The Old Hairdressers, Glasgow<strong><br \/>\n2016 <\/strong><em>CHROMA<\/em>, Safe House 2, Peckham, London<br \/>\n<strong>2016 <\/strong><em>111 Interiors,<\/em> Windows Gallery, Central Saint Martins, London<strong><br \/>\n2016 <\/strong><em>ART\/ Converters!<\/em>, Studio 1.1, Shoreditch, London<strong><br \/>\n2015 <\/strong><em>We All Draw<\/em>, Bargehouse, Oxo Tower Wharf, London<br \/>\n<strong>2015 <\/strong><em>Sketchbooks are Dead<\/em>, Hackney Downs Studios, London<strong><br \/>\n2015 <\/strong><em>The Locale<\/em>, McCune Smith, Glasgow<br \/>\n<strong>2015 <\/strong><em>Camberwell Open<\/em>, Fusion, Camberwell Arts Festival, London<strong><br \/>\n2014 <\/strong><em>Made in Arts London<\/em>, Lethaby Gallery, Central Saint Martins, London<strong><br \/>\n2014 <\/strong><em>Assembly<\/em><strong>, <\/strong>selected by Ben Kelly and Paul Goodwin, Chelsea College of Arts, London<br \/>\n<strong>2014<\/strong> <em>Concrete Island, <\/em>Made in Arts London at the Affordable Arts Fair, Hampstead<br \/>\n<strong>2014<\/strong> <em>Fake Nature, <\/em>Point Zero, London<br \/>\n<strong>2014<\/strong> <em>Phone Photography, <\/em>Chelsea College of Arts, London<br \/>\n<strong>2014<\/strong> <em>Just for the Day, <\/em>The National Galley, London<br \/>\n<strong>2013<\/strong> <em>Annual Open #29, <\/em>CPG London, London<br \/>\n<strong>2012<\/strong> <em>Off the s{h}elf, <\/em>Stockwell Studios, London<br \/>\n<strong>2011<\/strong> <em>Up the Wall<strong>, <\/strong><\/em>Chester Castle, Chester<strong><br \/>\n<\/strong><strong>2011 <\/strong><em>Prospero&#8217;s Library<strong>, <\/strong><\/em>Studio 75, London<br \/>\n<strong>2010<\/strong> <em>Tea, Time &amp; Interiors<\/em>, Exhibit, Golden Lane, London *<br \/>\n<strong> 2010<\/strong><em> Postcards from Leather Lane<\/em><strong>, <\/strong>British Museum, London<br \/>\n<strong>2009<\/strong> <em>Societea<\/em>, Exhibit, Golden Lane, London <em>*<\/em><br \/>\n<strong>2009<\/strong><em> Super Estate<\/em>, Exhibit, Golden Lane, London<br \/>\n<strong>2008 <\/strong><em>KISSS<\/em>, Castlefield Gallery, Manchester<br \/>\n<strong>2007 <\/strong><em>Shifting Ground<\/em>, Angel Row Gallery, Nottingham<br \/>\n<strong>2007 <\/strong><em>Lounge<\/em>, Hanover in Hackney, London <em>*<\/em><br \/>\n<strong>2006 <\/strong><em>PSi12 Performing Rights<\/em>, Queen Mary, University of London<br \/>\n<strong>2005<\/strong><em> KISSS<\/em>, Conical Gallery, Melbourne, Australia<br \/>\n<strong>2005<\/strong><em> Protest Academy<\/em>, Elastic Residence, London<br \/>\n<strong>2004 <\/strong><em>Shift<\/em>, The Merrion Superstore, Leeds<br \/>\n<strong>2003 <\/strong><em>Space Open<\/em>, [SPACE], London<br \/>\n<strong>2003 <\/strong><em>The Brunswick Project<\/em>, The Brunswick Centre, London<br \/>\n<strong>2002 <\/strong><em>East International<\/em>, Norwich Gallery, Norwich<\/p>\n<p><em>*Solo show<\/em><\/p>\n<h4><strong>Residencies and collaborative projects<br \/>\n<\/strong><\/h4>\n<p><strong>2022 <\/strong><em>moss.quarry.plaque, <\/em>collaboration with Margaret Woodward as part of the <a href=\"https:\/\/www.hobartcity.com.au\/Community\/Creative-Hobart\/Creative-Hobart-programs\/CityPILOTS\">City Pilots<\/a> project, Hobart, Tasmania<strong><br \/>\n2021 <\/strong><em>Wild Ways Online Residency, <\/em>collaboration with Margaret Woodward, hosted by The Museum of Loss and Renewal and The Walking Library<br \/>\n<strong>2021 <\/strong><em>Interdisciplinary Residency &#8211; part 2, <\/em>Hospitalfield, Arbroath. Scotland<br \/>\n<strong>2020 <\/strong><em>Interdisciplinary Residency &#8211; part 1, <\/em>Hospitalfield, Arbroath. Scotland (cut short by pandemic)<br \/>\n<strong>2017 <\/strong><em>A Many Sided Thing: A Residency of Collaborations,<\/em> Wimbledon Space, London<strong><br \/>\n2014<\/strong><em> Made in Arts London Artist in Residence<\/em>, Affordable Art Fair, Hampstead, London<br \/>\n<strong>2013<\/strong><em> point and place: exposing the collaborative process<\/em>, paper presented at <em>On Collaboration II<\/em>, Middlesex University<br \/>\n<strong>2010<\/strong><em> Postcards from Leather Lane<\/em>, 3 month residency with Aoife Mannix, commissioned by Spread the Word, London<br \/>\n<strong>2010<\/strong> <em>Object Retrieval<\/em>, 7 day role as a &#8216;Research Provocateur&#8217; for Joshua Sofaer on a Routemaster bus, UCL, London<br \/>\n<strong>2009-10<\/strong> <em>Golden Lane Estate<\/em>, 12 month residency working with residents, commissioned by Exhibit, London<br \/>\n<strong>2007 <\/strong><em>Hanover in Hackney Housing Association,<\/em> 3 month residency working with older residents, commissioned by [SPACE], London<br \/>\n<strong>2006<\/strong><em> Postsovkohov 6<\/em>, 7 day international residency and symposium, MoKs, Mooste, Estonia<br \/>\n<strong>2005 <\/strong><a href=\"https:\/\/daveballartist.co.uk\/discotheque\/strangers\/images.htm\"><em>Strangers on a Train<\/em><\/a>, collaborative project across a train journey, London \u2013 Newcastle, organised by disoctheque<br \/>\n<strong>2004<\/strong><em> Shift<\/em>, 7 day residency in a multistory car park, The Merrion Superstore, Leeds.<\/p>\n<p><strong>Published work<br \/>\n<\/strong><\/p>\n<p><strong>2022<\/strong> <a href=\"https:\/\/artuk.org\/discover\/stories\/drawing-with-grids-a-framework-for-imagination\"><em>Drawing with Grids: A Framework for Imaginiation<\/em><\/a><strong>, <\/strong>online essay, comissioned by Art Uk<strong><br \/>\n2022<\/strong>\u00a0Cover image and text &#8220;The Ridge above Cefn Onn&#8221;, Hinterland, Issue 11, ISSN: 2632-136X<br \/>\n<strong>2022<\/strong> <em>PLACE, PEOPLE AND TIME: Wild Ways #1, <\/em>residency <a href=\"https:\/\/padlet.com\/curators\/5kkizar3uw1xaugs\">Padlet publication <\/a><strong><br \/>\n2017<\/strong>\u00a0<em>LISCA #1, <\/em>Limited edition artist &#8216;zine, co-authored with <a href=\"http:\/\/www.lisa-solovieva.com\/\">Lisa Solovieva<\/a><em><br \/>\n<\/em><strong>2016<\/strong> <em><a href=\"http:\/\/cbrueton.co.uk\/?page_id=1259\">You are Here: Now not then<\/a>, <\/em>Visual essay, limited edition artist book, published by Art and Space, ISBN: 978-1-904118-02-2<em><br \/>\n<\/em><strong>2015<\/strong> <em>Images of home, <\/em>Artwork, Lighthouse Literary Journal, Volume 10, published by Gatehouse Press<br \/>\n<em><a href=\"http:\/\/www.gatehousepress.com\/shop\/anthologies\/lighthouse-issue-10\/\">http:\/\/www.gatehousepress.com\/shop\/anthologies\/lighthouse-issue-10\/<\/a><a href=\"http:\/\/interartive.org\/2013\/11\/motorways-elevated-roadways-camilla-brueton\/\" target=\"_blank\" rel=\"noopener noreferrer\"><br \/>\n<\/a><\/em><strong>2015<\/strong> <em>Framing the City, <\/em>Visual essay, JAWS, Volume 1, Issue 2, published by Intellect<br \/>\nISSN <span id=\"issnNo\">20552823<\/span><em><a href=\"http:\/\/www.intellectbooks.co.uk\/journals\/view-issue,id=2951\/\"> http:\/\/www.intellectbooks.co.uk\/journals\/view-issue,id=2951\/<\/a><a href=\"http:\/\/interartive.org\/2013\/11\/motorways-elevated-roadways-camilla-brueton\/\" target=\"_blank\" rel=\"noopener noreferrer\"><br \/>\n<\/a><\/em><strong>2014<\/strong> <em>In search of hope and optimism at Clapham Junction, <\/em>Illustrated essay, published by Interartive,<br \/>\nISSN 2013-679X<em> <a title=\"In search of hope and optimism at Clapham Junction\" href=\"http:\/\/cultureurbanspace.interartive.org\/in-search-of-hope-brueton\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/cultureurbanspace.interartive.org\/in-search-of-hope-brueton\/<\/a><a href=\"http:\/\/interartive.org\/2013\/11\/motorways-elevated-roadways-camilla-brueton\/\" target=\"_blank\" rel=\"noopener noreferrer\"><br \/>\n<\/a><\/em><strong>2013 <\/strong><em>Perspectives on Urban Motorways and Elevated Roadways, <\/em>Illustrated essay, published by Interartive,<br \/>\nISSN 2013-679X<em> <a href=\"http:\/\/interartive.org\/2013\/11\/motorways-elevated-roadways-camilla-brueton\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/interartive.org\/2013\/11\/motorways-elevated-roadways-camilla-brueton\/<\/a><\/em><br \/>\n<strong>2012<\/strong><em> Tideline: Voices from Belvedere, <\/em>Introductory text, Heritage Lottery project publication,\u00a0 ISBN 978-0-902541-01-6<br \/>\n<em> <a href=\"http:\/\/cbrueton.co.uk\/wp-content\/uploads\/2010\/10\/TidelineWeb.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/cbrueton.co.uk\/wp-content\/uploads\/2010\/10\/TidelineWeb.pdf<\/a><\/em><br \/>\n<strong>2012<\/strong><em> Cultural Shifts,<\/em> Introductory text, published by Accentuate, ISBN:\u00a0 978-0-9574436-0-0<br \/>\n<em> <a href=\"http:\/\/www.accentuateuk.org\/?location_id=4725\">http:\/\/www.accentuateuk.org\/?location_id=4725<\/a><\/em><strong><br \/>\n<\/strong><strong>2007<\/strong><em> Point and Place, <\/em>collaborative artists\u2019 book, published by Art and Space, London, ISBN 978-1-904118-09-1<br \/>\n<em> <a title=\"point and place\" href=\"www.pointandplace.net\" target=\"_blank\" rel=\"noopener noreferrer\">www.pointandplace.net<\/a><\/em><\/p>\n<p><strong>Awards\/ Prizes<\/strong><\/p>\n<p><strong>2026 <\/strong>Shortlisted for the Ruskin Prize\u00a0<strong><br \/>\n2020<\/strong> Shortlisted for the Trinity Buoy Wharf Drawing Prize\u00a0<strong><br \/>\n2012 <\/strong>Rector&#8217;s Scholarship, University of the Arts London<strong><br \/>\n2007 <\/strong>Birgit Skiold Award for excellence in Book Arts at ICA Book Art Fair<br \/>\n<strong>2002 <\/strong>Travel Grant, Stanley Picker Trust<br \/>\n<strong>2001<\/strong> Development Fund Award, Arts Council, London<\/p>\n<p><strong>Creative Producing<br \/>\n<\/strong><\/p>\n<p><strong>2020- <\/strong>onwards <em><a href=\"https:\/\/commonwealththeatre.co.uk\/\">Common Wealth Theatre<\/a>, <\/em>a site specific, political theatre company, including <a href=\"https:\/\/commonwealththeatre.co.uk\/shows\/demand-the-impossible\/\"><em>Demand the Impossible<\/em><\/a> &#8211; site specific immersive show, 2025<br \/>\n<strong>2018- 2020<\/strong> <em>Basket Case<\/em>, Research and development project by by artist Kristina Veasey, funded by Unlimited.<br \/>\n<strong>2017 &#8211; 2019<\/strong> <em>My Dirty Secret<\/em>, a multi-sensory, immersive artwork by artist Kristina Veasey, funded by Unlimited and Spirit of 2012<br \/>\n<strong>2015- 2019 <\/strong><em>Post-Grad Community, <\/em>at University of the Arts London.<br \/>\n<strong>2010-12<\/strong> <em>Our View, <\/em>part of<a href=\"http:\/\/www.accentuate-se.org.uk\/\" target=\"_blank\" rel=\"noopener noreferrer\"> Accentuate<\/a>, a Legacy Trust project working across art, sport, film and heritage, inspired by the Paralympic Movement<br \/>\n<strong>2010-12<\/strong> <em>Tideline<\/em>, Heritage Lottery project working with Bexley Council, writer in residence, Sarah Butler and local communities<br \/>\n<strong>2008-09<\/strong> <em>One Mile Away, <\/em>writer in residence project at Spread the Word, London<br \/>\n<strong>2008-09<\/strong> <em>A City of Shared Stories, <\/em>website linking 1000&#8217;s of stories with locations in London, Spread the Word, London<br \/>\n<strong>2007-08<\/strong> <em>Write Up Your Street, <\/em>London themed writing competition, Spread the Word, London<br \/>\n<strong>2007 <\/strong><em>Resonant<\/em>, professional development training project for deaf and hearing artists, SPACE, London<br \/>\n<strong>2004-06<\/strong> <em>Trajectory, <\/em>professional development and mentoring programme for Mid Career artists, SPACE, London<\/p>\n<h4 class=\"protext\"><strong>Education<\/strong><\/h4>\n<p class=\"protext\"><strong>2012-2014 <\/strong> M.A Drawing, Wimbledon College of Arts<br \/>\n<strong>1997-2000<\/strong> B.A Fine Art, Kingston University<br \/>\n<strong>1996-1997<\/strong> Foundation in Art and Design, Camberwell College of Art<\/p>\n<p><script>\/\/ <![CDATA[ (function(i,s,o,g,r,a,m){i['GoogleAnalyticsObject']=r;i[r]=i[r]||function(){ (i[r].q=i[r].q||[]).push(arguments)},i[r].l=1*new Date();a=s.createElement(o), m=s.getElementsByTagName(o)[0];a.async=1;a.src=g;m.parentNode.insertBefore(a,m) })(window,document,'script','\/\/www.google-analytics.com\/analytics.js','ga'); ga('create', 'UA-50168044-1', 'cbrueton.co.uk'); ga('send', 'pageview'); \/\/ ]]><\/script><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Biography Camilla Brueton is an artist who is curious about place. She is interested in the aspirations and emotions embodied by landscape, architecture and infrastructure and the everyday life that unfolds around. These actions are generative and contribute to the ever-changing nature of place. Brueton makes small, considered works on paper, publications and large, multi-layered [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":3,"comment_status":"open","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-12","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/cbrueton.co.uk\/index.php?rest_route=\/wp\/v2\/pages\/12","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cbrueton.co.uk\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cbrueton.co.uk\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cbrueton.co.uk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cbrueton.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12"}],"version-history":[{"count":82,"href":"https:\/\/cbrueton.co.uk\/index.php?rest_route=\/wp\/v2\/pages\/12\/revisions"}],"predecessor-version":[{"id":1780,"href":"https:\/\/cbrueton.co.uk\/index.php?rest_route=\/wp\/v2\/pages\/12\/revisions\/1780"}],"wp:attachment":[{"href":"https:\/\/cbrueton.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}