{"id":8,"date":"2010-10-04T14:50:06","date_gmt":"2010-10-04T13:50:06","guid":{"rendered":"http:\/\/cbrueton.co.uk\/?page_id=8"},"modified":"2022-07-15T16:36:57","modified_gmt":"2022-07-15T15:36:57","slug":"collaborators","status":"publish","type":"page","link":"https:\/\/cbrueton.co.uk\/?page_id=8","title":{"rendered":"Collaborations"},"content":{"rendered":"<h2>Collaborations<\/h2>\n<h3>moss.quarry.plaque<\/h3>\n<h3><a href=\"http:\/\/cbrueton.co.uk\/?page_id=1719\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1704 size-full\" title=\"pandp01\" src=\"http:\/\/cbrueton.co.uk\/wp-content\/uploads\/2022\/06\/mwsogol-cropped.jpg\" alt=\"a digital plague with text inscribed on a mossy stone background\" width=\"359\" height=\"263\" align=\"right\" srcset=\"https:\/\/cbrueton.co.uk\/wp-content\/uploads\/2022\/06\/mwsogol-cropped.jpg 359w, https:\/\/cbrueton.co.uk\/wp-content\/uploads\/2022\/06\/mwsogol-cropped-300x220.jpg 300w\" sizes=\"auto, (max-width: 359px) 100vw, 359px\" \/><\/a><\/h3>\n<p>2021- 2022<\/p>\n<p style=\"text-align: left;\"><a href=\"http:\/\/cbrueton.co.uk\/?page_id=1719\">moss.quarry.plaque<\/a> is an international collaboration between artists Camilla Brueton (Cardiff\/ Caerdydd, Wales\/ Cymru) and Margaret Woodward (nipaluna\/Hobart, lutruwita\/Tasmania). Through a process of call and response across timezones, moss.quarry.plaque locates both artists in their respective cities and composes a poetic score now installed in the City of Hobart\u2019s digital twin as a tangle of voices, words and data sets. The collaboration was undertaken at walking pace, in companionship with the steady rhythm of conversations, rallying back and forth across the global net of geocodes. See <a href=\"http:\/\/cbrueton.co.uk\/?page_id=1672\">collages<\/a>, hear <a href=\"https:\/\/soundcloud.com\/user-16735050\/mossquarryplaque-audio-score\">audio<\/a> or visit the <a href=\"https:\/\/www.instagram.com\/moss.quarry.plaque\/\">moss.quarry.plaque instagram<\/a> for digital traces of the project.<\/p>\n<p>&nbsp;<\/p>\n<h3><a href=\"http:\/\/cbrueton.co.uk\/wp-content\/uploads\/2022\/01\/Tasmania.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1666 size-full alignright\" title=\"pandp01\" src=\"http:\/\/cbrueton.co.uk\/wp-content\/uploads\/2022\/01\/Tasmania.jpg\" alt=\"Photograph of landscape in Queentown Tasmania\" width=\"350\" height=\"263\" align=\"right\" srcset=\"https:\/\/cbrueton.co.uk\/wp-content\/uploads\/2022\/01\/Tasmania.jpg 350w, https:\/\/cbrueton.co.uk\/wp-content\/uploads\/2022\/01\/Tasmania-300x225.jpg 300w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/><\/a>Call and Response<\/h3>\n<p>2021<\/p>\n<p style=\"text-align: left;\">As part of the <a href=\"https:\/\/padlet.com\/curators\/5kkizar3uw1xaugs\">Wild Ways online residency<\/a>, I collaborated with Australian artist <a href=\"https:\/\/www.apublishedevent.net\/\">Margaret Woodward<\/a>. We established a process of exchange &#8211; using digital geocoding app W3W and messaging app WhatsApp to share locations, words and images between Tasmania and Wales during a shared walk. A call and response, responding to each other and our environs. Material generated became a text <a href=\"http:\/\/cbrueton.co.uk\/wp-content\/uploads\/2022\/01\/Two_lookouts_Call_and_Response_interactive.pdf\">image\/map<\/a> and a spoken word piece, combined as <a href=\"https:\/\/player.vimeo.com\/video\/639838176?h=4e3f39a221&amp;title=0&amp;byline=0&amp;portrait=0&amp;speed=0&amp;badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479\/embed\">an animation<\/a>. We continue our collaboration for City of Hobart\u2019s City Pilots temporary public art commission in April 2022, \u2018published\u2019 within the city\u2019s Digital Twin &#8211; a tool used by planners and engineers to harness together data and a 3D rendering of the city.<\/p>\n<h3 style=\"text-align: left;\"><a href=\"http:\/\/cbrueton.co.uk\/wp-content\/uploads\/2016\/09\/Drawing-Connections-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1216 size-full\" style=\"margin-left: 10px;\" title=\"pandp01\" src=\"http:\/\/cbrueton.co.uk\/wp-content\/uploads\/2016\/09\/Drawing-Connections-1.jpg\" width=\"350\" height=\"263\" align=\"right\" srcset=\"https:\/\/cbrueton.co.uk\/wp-content\/uploads\/2016\/09\/Drawing-Connections-1.jpg 350w, https:\/\/cbrueton.co.uk\/wp-content\/uploads\/2016\/09\/Drawing-Connections-1-300x225.jpg 300w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/><\/a>Drawing Connections<\/h3>\n<p>2015 &#8211; 2018<\/p>\n<p style=\"text-align: left;\"><a href=\"https:\/\/www.drawingconnections.co.uk\/\"><strong>Drawing Connections<\/strong><\/a> is a collective of artists who have chosen to work collaboratively through the medium of drawing as a way to challenge both their individual practices and fixed notions of what we might consider drawing.\u00a0 <strong><br \/>\nDrawing Connections has included<\/strong>:\u00a0Tony Blackmore \u2013 Bethe Bronson \u2013 Camilla Brueton \u2013 Alison Carlier \u2013 Jill Evans \u2013 Helen Goodwin \u2013 Fiona Grady \u2013 Ruben Hale \u2013 Barry Haskins \u2013 Zahura Sultana Hossain \u2013 Sharon McElroy \u2013 Claire Manning \u2013 Gill Newton \u2013 Esperanza Perkins \u2013 Paul Ridyard \u2013 Nicki Rolls \u2013 Zita Saffrette \u2013 Nicola Saunderson \u2013 Angelika Steiger \u2013 Deborah Whitney<\/p>\n<h3 style=\"text-align: left;\"><a href=\"http:\/\/cbrueton.co.uk\/wp-content\/uploads\/2010\/10\/pandp01.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-403\" style=\"margin-left: 10px;\" title=\"pandp01\" src=\"http:\/\/cbrueton.co.uk\/wp-content\/uploads\/2010\/10\/pandp01.jpg\" alt=\"Photograph showing a cube made out of squared paper, sitting on a wooden ledge. The cube has the word 'place' punctured through it on its front face, and the word 'time' on the face just visable to the right.\" width=\"350\" height=\"263\" align=\"right\" srcset=\"https:\/\/cbrueton.co.uk\/wp-content\/uploads\/2010\/10\/pandp01.jpg 350w, https:\/\/cbrueton.co.uk\/wp-content\/uploads\/2010\/10\/pandp01-300x225.jpg 300w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/><\/a>point and place<\/h3>\n<p>2001 &#8211; ongoing<\/p>\n<p style=\"text-align: left;\"><a title=\"point and place\" href=\"http:\/\/cbrueton.co.uk\/?page_id=334\"><strong>point and place<\/strong><\/a> is a group of artists whose individual work includes drawing, movement, writing, sculpture, sound and social exchange. We have worked together since 2001 and produced <a href=\"http:\/\/www.pointandplace.net\/\"><em>point and place<\/em><\/a>, a unique double-bound bookwith endlessly shifting viewpoints and thresholds and <a href=\"http:\/\/www.pointandplacegame.com\/the-game.html\"><em>Hexagons<\/em><\/a> a collaborative take on the game of pairs. The group continue to explore the possibilities of collaborative practice despite being geographically scattered. <strong><br \/>\npoint and place<\/strong> is: <a href=\"http:\/\/www.juliebrixey-williams.co.uk\" target=\"_blank\" rel=\"noopener noreferrer\">Julie Brixey-Williams<\/a>, <a href=\"http:\/\/cbrueton.co.uk\">Camilla Brueton<\/a>, <a href=\"https:\/\/www.simonkennedy.org\/\">Simon Kennedy<\/a>, <a href=\"https:\/\/sam.arts.unsw.edu.au\/about-us\/people\/theron-schmidt\/\">Theron U. Schmidt<\/a>, <a href=\"http:\/\/www.rajnishah.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Rajni Shah<\/a> and <a href=\"http:\/\/www.carolineyounger.com\/\">Caroline Younger<\/a>.<\/p>\n<p><script type=\"text\/javascript\">\/\/ <![CDATA[ (function(i,s,o,g,r,a,m){i['GoogleAnalyticsObject']=r;i[r]=i[r]||function(){ (i[r].q=i[r].q||[]).push(arguments)},i[r].l=1*new Date();a=s.createElement(o), m=s.getElementsByTagName(o)[0];a.async=1;a.src=g;m.parentNode.insertBefore(a,m) })(window,document,'script','\/\/www.google-analytics.com\/analytics.js','ga'); ga('create', 'UA-50168044-1', 'cbrueton.co.uk'); ga('send', 'pageview'); \/\/ ]]><\/script><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Collaborations moss.quarry.plaque 2021- 2022 moss.quarry.plaque is an international collaboration between artists Camilla Brueton (Cardiff\/ Caerdydd, Wales\/ Cymru) and Margaret Woodward (nipaluna\/Hobart, lutruwita\/Tasmania). Through a process of call and response across timezones, moss.quarry.plaque locates both artists in their respective cities and composes a poetic score now installed in the City of Hobart\u2019s digital twin as a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":5,"comment_status":"open","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-8","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/cbrueton.co.uk\/index.php?rest_route=\/wp\/v2\/pages\/8","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cbrueton.co.uk\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cbrueton.co.uk\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cbrueton.co.uk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cbrueton.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8"}],"version-history":[{"count":57,"href":"https:\/\/cbrueton.co.uk\/index.php?rest_route=\/wp\/v2\/pages\/8\/revisions"}],"predecessor-version":[{"id":1169,"href":"https:\/\/cbrueton.co.uk\/index.php?rest_route=\/wp\/v2\/pages\/8\/revisions\/1169"}],"wp:attachment":[{"href":"https:\/\/cbrueton.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}